Affichage des articles dont le libellé est psychedelic. Afficher tous les articles
Affichage des articles dont le libellé est psychedelic. Afficher tous les articles

dimanche 20 février 2022

Xyresic: New Album!

 

Xyresic is back!
A few weeks only after my "extensive" post about the Singapore band discography and a couple of months after the "teasing" release of Nuevo Orden Mundial on their bandcamp page, here is Futuro Oscuro, Xyresic's second full length. And let me tell you that I was looking forward to it and that my expectations have been fulfilled!
 
 
  But first, let's take a few seconds to look at this magnificent cover artwork. Far from the black and white, dark and aggressive punk aesthetic of the first two releases, this takes us to the dry and "contemplative" atmosphere of the far reaches of the Sahel region and, except for the typography of the band's name whose aesthetics clearly refers to the type of raw music played by the band, one could almost think of having to deal with an album of Tinariwen or a Mdou Moctar album, the two Touareg music scene leading bands. 
Mdou Moctar was actually mentioned as an inspiration in the writing of this album, which surprised me so much coming from a raw punk band from Singapore that I spent some time listening to the Nigerien guitarist songs (that I've always found enjoyable but I'm more into Tinariwen to be honest, too much "guitarist vibe" with Mdou for my taste) to try to understand how this inspiration materialized and how his name ended up next to more obvious influences like Sial and Una Bestia Incontrolable and that takes us to the main part of this post: my highly valued and long awaited opinion on the band's music!!
 

 Xyresic start building up the record atmosphere since the very first second thanks to a both bewitching and disturbing intro whose "tribal" drum pattern, and distressing and psychedelic guitar riffs, are the perfect transition to what will not take long to fall on us like a jack-hammer on a baby's fingers... Fast drumming, angry screamed vocals, noisy guitar sound mixed with these still very evocative guitar riffs arising from the desert (yes it's subtle, it's deep, it's somewhere in there but the Touareg music influences are real)... Xyresic's songs are raw, crude and angry but they're so much more than that, these songs are journey through a dry land of despair and madness where the mind can hardly survive, a silent land crushed by a harsh, dry heat where there is only one final thing left to do: destroy the remains of one's vocal cords with hoarse screams that parched throats will not be able to endure for long.
 
It could be the mix of fast and straight forward parts with mid-tempo psychedelic parts on Fuego Del Infernio and Calor Húmedo, it could be that bewitching drum pattern (the album's common thread) on Mirar Adelante, Serpentie Salvaje or Nuevo Orden Mundial that drags us, in spite of our rational mind, in the whirlwind of the unhealthy pleasures of primitive and bestial dances, it could be the overwhelming sense of noise, heat and heaviness that invades your senses when you listen to these 10 tracks... it could be all of this that makes this album a beautiful success, without any doubt the best release of the band so far.
 
With Futuro Oscuro, Xyresic has reached the point Sial's reached before them with their Zaman Edan EP, a point where punk music manages to create a visual, but also sensitive, atmosphere which unfolds like a harsh and hostile landscape before our ears, a kind of vegetal and mineral jail in which our mind would be locked up for the time a few caravans of saturated guitar riffs pass by...
Brilliant! 
 
I haven't seen any news about a physical release yet but I'm sure it will happen any time soon. Be assured that this record is going to take a few hundreds spins on my turntable at some point!
 
N,J'Oi!
 
 
 
 
 
 
  

vendredi 7 janvier 2022

Faze

 

picture by Marie-Eve Scarey

I discovered Faze very recently with their latest release, the Content EP on 11pm records (I'll talk about it below), and I seized the occasion to dig into the Canadian band's discography. These guys seem to love skateboarding in summer and playing in loud bands in winter (and probably all year long for that matter), bands like the French-oi!-oriented Béton Armé and the noisy hardcore punk CPU Rave (demo and tape).
Oh yes and they've been playing together since 2015 or something like that, so yes it's been a while already. 
 
 

 So it all started with this 4-track tape released on Runstate Tapes in 2016 whose psychedelic artwork is full of acid-infused promises, but fortunately appearances can be deceiving and, as astonishing as it may sound, Faze's very far from being a Jefferson Airplane clone or an Austin Powers tribute band (or vice versa).



Faze play some kind of mid-tempo punk with a lot of reverb on the vocals and a bit less on the guitar, which may make some think of some kind of a "psyche" twist but is, to me, more reminiscent of death-rock-infused punk bands like Rudimentary Peni and the like. Ok Faze doesn't sound like Rudimentary Peni, the bass sounds hardcore and they definitely fit in the attitude of that end of the punk spectrum but listen to No Loss and you'll get what I mean.
It's pretty cool but a bit slow innit? Not so heavy either so this first release sits a bit on the fence, definitely showing a very strong potential that could be expressed more openly.
Thankfully Nothing Left, the closing song, adopts a faster tempo which bodes well for the future.
 
 

Hehe things start getting really interesting with that second tape released in 2017 on Runstate Tapes and very humbly named Songs by Faze.
 
 
Four new tracks that get deeper into the dark corners of gloomy punk shyly explored in their first release, all the songs open with "long" distressing intros which give way to sinister parts where the reverbed out vocals take us far into the dark waters of tormented souls. It's still slow, but a bit heavier though, the songs building up slowly they also get longer (between 2:50 and 4:50)... and that's Slimy Member that comes to mind now! There is the same kind of atmosphere even if Faze tends to play slower and longer songs with a more "d-beat linearity" feeling than a death-rock vibe.
Faze's songs exude despair and malaise, the vocalist sounding like he's wading through a sludge of sticky and slimy problems that his Doc Martens couldn't get him out of. The tape concludes with Prison Planet which is probably the most disturbing track of all, a track made to spread uneasiness and self-depreciation throughout the world... it starts out slowly like a hazy nightmare before speeding up into a full-blown nighttime battle with the most vicious of our inner demons... brilliant!
 
 

picture by Phil



 
 
And that's the third tape on Runstate Tapes for my French-speaking colleagues from across the Atlantic! Struggling To Enjoy Ourselves While The World Slowly Implodes was released in 2018 and brings us four more tracks (definitely these guys' favourite format) illustrated by a pretty cool collage artwork by Felix Morel.
 
 
  And I would say that it picks up almost exactly where Songs by Faze had left it, it sounds quite similar (the guitars sound slightly "clearer" though) and the general atmosphere is roughly the same (I can't really say that it is overflowing with joy and optimism). But I nevertheless feel a new "level of attention" for extra details like a bit of guitar here, a "rounder" bassline there etc... And it does give great results, Crooked Light is a great song, a long and intoxicating song that drags the poor defenceless listener into the depths of the sweaty and dead-end jungle... before No Feelings accelerate it all, fast-forwarding the last chapters of Apocalypse Now in what could be the fast food version for Chinese businessmen of the Coppola movie in a near future... let me tell you there's going to be some puke on the tiling... 
So giving the circumstances what's better than concluding this nice soundtrack for a summer country walk than a tune called Altered State? Yeah right everybody's just out of their bloody mind at that stage anyway...
 
 
 

 Here we finally reach their latest (and best, in my humble opinion) record, their Content EP released late 2021 on 11PM Records (so that's the first time Faze got a vinyl out and also the first time they got anything out on an American label).


To be honest it took me some time to get into this record, I was a bit surprised by the three EPs 11PM records released simultaneously in December (Faze's, Ztuped's and Last Affront's), for some reasons I had in mind a certain type of hardcore identity stuck to the label (Rolex, Loss Prevention, Subliminal Excess, Freon etc...) and... well I was not expecting that. And I actually think it's great to have been taken by surprise by the label's will to keep a strong identity in all the diversity of the genre.

Anyway this time we don't get four but five new tracks (these guys have no limits)! 
 Starting with a quite long intro partially built around that discreet, but magic, trombone Faze seems to love to use at times on stage, Burn it Faster quickly becomes much faster and meaner, taking a real d-beat meets hardcore turn. The atmosphere still has that gloomy and discomforting feeling the boys from Montreal have accustomed my ears to, but this time the whole thing sounds just a lot more aggressive, ready to go for your throat at any moment. 
Let's be honest that kind of nasty hardcore d-beat punk (or whatever else you wanna call it) is quite trendy these days, with labels like La Vida, Static Shock, Symphony of Destruction and many others over the planet competing to find the meanest bastards in the genre (and I'm not complaining as I enjoy all that shit a lot). Faze were already swimming in those waters and they just pushed their concept to the limit, reminiscent of Maladia, Vinegar Strokes and others of that angry gloomy punk sub-genre whose extreme end is made of bands like Koma, Ohyda and S.H.I.T.

But Faze haven't reached that far end yet and even if songs like Can't Understand The Feeling or Tu n'existerais Pu (You Would Not Exist Anymore) (at last a song in French goddammit!) definitely got that pummelling D-beat vibe they keep an "acceptable" level of "buzzing heaviness" if you see what I mean. Born Sinners closes the EP with a perfect recap of the successful band formula: full reverb on angry vocals, heavy (D?) beats and fast "hardcore" parts... and Faze won me over!
A great EP!
 
And as a famous German band used to sing: It's Only a Faze (ok that's lame but since the beginning I was looking for the right opportunity to crack it, looks like I've failed).
 


 
 
 
N,J'Oi! 
 
 
 
 
 
  You can listen to Faze on RAF#29.
  
 



jeudi 16 juillet 2020

The Worms




The Worms is a former duo turned three-piece from London playings some kind of garagish punk since 2015 or something.
The band features members of Omi Palone, Tense Men, ES (which released a new album in April) and Primetime among others...


Released in 2016 on Negative Space, Everything in Order is the first full-length of the band, featuring 12 songs of garage punk. Nothing really new here but it sounds like a band which could be on Total Punk along with the guys from Brandy or Curleys.
Simple and straight to the point The Worms is here to keep punk silly and enjoyable...
and it works!



And as the world got busier and busier it took almost four years for our three invertebrates to lay a new album.
Back From The Bog was released as a tape on Hidden Bay Records early 2020 and without being a total revolution after the first full length brings a lot of interesting new ingredients to the British compost.
The Total Punk Records vibe is not gone but The Worms have got meaner with time... The riffs are sharper, the vocals are angrier, the lot is just...punker!


... and crazier: the wild and frantic guitar solo at the end of Humble Brag, the breaks and background synth (is it?) in MLTL, the super nervous Belly of The Beast but more than everything the psychedelic insanity of Bored of Bastards and Anxiety Pit and the obsessive hammering riffs of Frequency of Behaviour...
The Worms manage to deliver a lot-smarter-than-it-looks album which does not betray the sound and energy of their first release but on the contrary enriches it of a tasty touch of out-of-the-line delicacy...



N,J'Oi!

You can listen to The Worms in Rien à Faire #12.




samedi 28 mars 2020

Duplo


Just a quick one about Duplo, a young band from São Paulo, Brazil, with the drummer of Rakta.
These guys play an interesting and original psych-post-punk which could be seen a bit as Jim Morrison singing on a danceable brazilian version of some late Joy Division (on LSD)... 
Yeah well it doesn't make sense at all.
 

On their 5-track demo released in late 2018, Duplo delivers some super psyche punk, a bit too psyche sometimes for me I would say, but quite interesting and great to listen to between two Discharge live bootlegs...  
 

 Nah what I really like is DOR DOR DOR, BB their 7'' out on Nada Nada Discos (the label of Rakta and Futuro to give you an idea) at the end of last year (2019).
More energic than the demo, you can peek a sight of the punk surface through the smoke of Purple Haze... still not enough to start a slma dance pit at your granny funeral, but it's there...


 A nice 7" for a short break away from the hardcore fury...


You can listen to Duplo on Rien à Faire #8.

N,J'Oi!



Rien à Faire is on FB

samedi 4 janvier 2020

Neon


Neon is a four-piece punk band from Oakland, California.
This is obviously no street-punk or Youth Crew but some kind of crazy, arty punk;
 in a way it could be to punk what free jazz is to jazz... free punk ??
 

It all started with 5 songs released online in 2017 under the name
Neon is Life. Chaotic, unorganized, uncivilised, loud and dirty... 
yes Neon got all the aspects of life... of wild life!


After two years, the band finally releases the self-titled full-length Neon in November 2019 on Square One Again Records.
A bit faster than their first release but with the same vibe, the album is a nice concentration of psychedelic and colorful punk songs, always dancing and jumping on the edge of the genre, making sure to lose you far from your comfort zone.
Crass (Shaved Women), Lukrate Milk or more recently Good Throb and Warm Bodies could be quoted as influences as well as any band which tried to bring back some colors to the scene.


So yes it's pretty good but to be honest I tend to feel that 10 songs is a bit too much jumpy high pitched guitars and vocals for me, but well... it's me.



You can listen to Neon and other stuff in Rien à Faire #5.

N,J'Oi!

Rien à Faire is on facebook