Affichage des articles dont le libellé est synth-punk. Afficher tous les articles
Affichage des articles dont le libellé est synth-punk. Afficher tous les articles

mardi 22 mars 2022

Spicer

 

Just a short one today about this new band hailing from Helsinki, Finland, and called Spicer, which released a pretty cool demo a couple of months ago, in January.
 
 
  I'm afraid I don't have much information to share about the band and its members, the three Finns were smart enough to stay away from the social media hype and fly under my, usually very efficient, radar. Everybody likes to brag online about the "genius" noise they make in their bedrooms you know (except these guys obviously).
 
So let's focus on the music rather than the gossips if you don't mind:
 With a drum machine, a synth and tags like "dark" and "gloomy" all over their bandcamp page, nobody (and certainly not me) would have guessed at first glance that Spicer will have the distinct honour of being a guest on the amazing Rien à Faire page. No-bo-dy! But hey! I've heard that life is all about unexpected events and so here they are. Let me explain why.
Starting with the very-well-named Tense, the demo opens up with a heavy bass-line (and I'm a sucker for killer basslines you know, who isn't after all?) before letting the cold and mechanical drums hit you in the face with a very simple repetitive beat that "holds" some very deep and catchy vocals that sound like emerging from a dark and narrow Finnish tunnel. Yes there's a lot of reverb on those vocals, and that's cool! So yes let's just say I was immediately hooked! I didn't even mind the synth (which I usually hate), which manages to stay discreet enough not to pollute the straightforward atmosphere of the song (and I love "straightforward").
And that's exactly the winning formula the band keeps develops throughout the next four tracks, whether it's with a simple but heavy guitar riff on Inwards and Days Of Drifting, or with a fast "hardcore" beat on Not Yours To Keep (even if those weird synth sounds at the beginning worried me at first), these guys manage to do their thing while remaining "hardcore" in a way. And that's pretty cool!
Cold Machine concludes beautifully the whole thing with a perfect mix of all the tricks perfectly used on the previous tracks, it's catchy, it's straightforward and simple, the vocals get into your head... it's exactly what I wanted (it just lacks another killer bass line somewhere but eh! c'est la vie as they say in Paris).  
 
So yes I really enjoyed this demo! I's love to draw super smart comparisons to some very obscure new-wave / EBM / synth punk bands but that's definitely not my area of expertise so I won't (well ok the only band I could think of was Special Interest because they fucking rule but that's very different!). Anyway, give this shit a listen and let's see if anything else comes from the north in the coming months... Fingers crossed!
 
 
 
N,J'Oi!
 
 
 
 
You can listen to Spicer on Rien à Faire #32.
 
  
 
 

vendredi 4 février 2022

Dyatlov - New EP


 Dyatlov is back!
If you follow this page regularly (and Google's telling me you don't) you probably noticed my post about Dyatlov's debut EP, two tracks of insane upbeat noise-synth-punk made in Holland which made it to my year's end top list (highest distinction any band can dream of these days).
Well the crazy Dutchmen are back on Spazz Records with a new two-track EP called Insect Paranoia.

Before plunging into noise and sweat, the first thing I noticed was the sudden change of style/atmosphere in the cover, while the one from their first EP was clearly to not be taken seriously, even mocking poor Anatoli and his professional mistakes, this one is glommy and morbid, recalling the dark shores of genres called anarcho punk, d-beat, crust, dark waves etc... and not what I imagined as a sunny Dyatlov's beach on the North Sea... (I actually can't picture it).
And indeed Insect Paranoia's overall atmosphere is a lot less "fun"...


If you survived the watching of the above clip, well first good on you mate you're probably not epileptic and won't collapse anytime soon at your little niece's next birthday, on the contrary if you are writhing on the ground in pain while vomiting your corn flakes you probably didn't pay attention to the nice warning at the very beginning, you know just before your eyes got nuked by thousand of fluorescent flashes (they warned you though, so... too bad).
So no Dyatlov didn't turn into a dark/cold-wave band (thanks Satan), the "noise-synth-punk" formula remains untouched but, yes there is a BUT, I don't feel the bursting upfront energy of Wound Man... Insect Paranoia is more restrained, bleaker, less in-your-face, building more in repetition and length. And that doesn't necessary mean it's a bad thing, it's just different but I have to say that it was the "mean", "resentful" and "aggressive" atmosphere (we're not talking NYHC aggressiveness type here of course but you know what I mean) that I particularly enjoyed in their first release and it's a bit more difficult for me to get into it this time.


Less flashes, more lovely Dutch landscapes (life is a journey).

So Death Machine / Factory (a double track in one, amazing!) starts exactly like what I was expecting for the A side: noisy, fast, mean and straight to the point! One minute and some twenty seconds later (the end of the too short Death Machine?), the second track builds from the rubble in a cold "industrial" atmosphere (this is Factory after all) before mixing in some kind of "farcical" Freak Show vibe, giving to the whole thing a strange atmosphere full of extreme discomfort and uneasiness coming for two opposite sides of my "pop culture horror themes clichés" (the abandoned factory and the early 20th century freak show).
And it does work beautifully! I think I like this side a lot more than the Insect Paranoia one, it got the driving upfront craziness I'm fond of at the beginning and the slow discomfort building of a very peculiar atmosphere afterward, and yes that's great!

Anyway I've heard that a full length's on the way (on Spazz again of course)... and that's a release I'm definitely not going to miss!

 


N,J'Oi!
 
 
PS: it seems that Rader Kraft, an electro minimal-synth live act from Amsterdam, will release very soon some kind of "cover" of Insect Paranoia (why not).





You can listen to Dyatlov on Rien à Faire #31.





 
 
 
 

 

mardi 1 février 2022

VA - Rien à Faire #31 - Punk, Hardcore, Post-Punk... new stuff only! February 2022

 



The new year's starting really well, January's been a really fructuous month in terms of punk music and this RAF compilation got a lot of killer tracks in store for you all little thrill seekers. A lot of hardcore punk, but not only, and if you're patient enough to listen until the end there are a few "outside the box" surprises there for you.
Seventeen bands hailing from all over the planet, from the US of course but also from Australia, Italy, France, Greece, Spain, Holland, Norway and Japan...
I'm trying to keep as international as possible while not avoiding the great stuff coming from the land of the free.
 
 
N,J'Oi!
 
 
  01 - Insane Urge - There's a World
02 - Assistert Sjølmord - Kontroll
03 - Invertebrates - Red Lake Earth
04 - Lumpen - Renuncia a tu vida
05 - Foil - Peruvian Coke
06 - Jailer - Sexual Janitor
07 - Counter Control - The World is Burning Up
08 - Comunione - Esca
09 - Glands - Break Me
10 - Piss Kinks - Fight I Can't Win
11 - Rampage! - Notion of Elite
12 - Split System - Hit me
13 - ΜΠΡΙΤΖΟΛΙΤΣΕΣ - ΚΟΥΡΑΔΟΚΑΣΤΡΟ - Shitcastle
14 - Thatcher's Snatch - We're Going to Hell
15 - Boucan - French Manucure
16 - Dyatlov - Death Machine - Factory
17 - Gotou - Wet 背
 
 
 YOU CAN DOWNLOAD THE WHOLE THING HERE
 
 






 




lundi 1 février 2021

VA - Rien à Faire #19

 


First RAF compilation of 2021!
Still a lot of tracks from late 2020 releases but also the first 2021 killer punk tunes.
A lot of hardcore punk this time but not only, I try to keep it as good and diverse (in the limits of my very good taste of course) as possible.
 
 N,J'Oi!
 
 
  01 - Thought Control - Thought Control
02 - Hackjob - Friends
03 - Pensioner - I Don't Sweat
04 - Futurat - во сне (vo sne)
05 - Black Button - Casualties of Progress
06 - Hüstler - Who's Your God
07 - Headlice - Auto-Erotic Asphyxion
08 - Preening - You Gave It Away
09 - Yard Act - Dark Days
10 - Imposition Man - Resilience
11 - Select Sex - Signals Turning Sour
12 - Lumpen - Dominan Tu Futuro
13 - ISS - Spikes
14 - Ero Guro - High Life
15 - Wails - Among Dogs
16 - Klämp - An Orb
17 - MelmACHello - Je laisse surgir
 
 
And you can of course listen to all past shows on Mixcloud!
 
Download the full compilation HERE
 


 
 
 

jeudi 19 novembre 2020

Moth

 

 
picture by JAMIE WDZIEKONSKI

 

 Moth are a young band from Melbourne, Australia, that haven't been around for long, their first release being one year old.

Ok so it all started as the solo project of this guy, Darcy Berry, who plays drums in Gonzo (which last year album is pretty cool by the way) and U-Bahn (not my thing).
Darcy also creates a lot of visuals for bands from the Melbourne/Geelong area under the name Moth Creative and writes (wrote ?) a visual art zine called Conscript.


Ok it's not really true when I wrote that the first release was one year old, Darcy had published a few years before (2015 ?) another demo which does not have much in common with what came next. So I am not going to spend any time on it.
 
In 2018 though he released Initial Object, a 12-track tape out on Weather Vane Records, which can be considered as the first Moth release.
A drum machine, a synth, some distant vocals with a lot of echo to give a post-punk vibe... Moth is not hiding its industrial / post-punk influences, well didn't Darcy define it as Technological paranoid discordant robot rock after all?
Yes there is some kind of a Z-movie atmosphere in this tape, like the soundtrack of a kitschier (if that's possible) version of Forbidden Planet.
Ok ok I am being mean, there is a lot of good in these tracks and it's interesting to discover where the band comes from.


Released in November 2019, this 5-track demo is the first "official" release of the band.
I would like to cal it pure high paced mid-tempo modern rock but I know it does not mean anything... anyway it's not really different from the previous demo but with way better songs cohesion and improved energy.
It's a demo all right so it does not sound really good and in the end 4 tracks out of 5 (except for Interlude which I find a bit boring anyway) will be recorded again so I guess that Darcy was not so happy with the result.
 



With Machine Nation, Moth is taking a big big step forward, it's the band first release on vinyl and it got out on Marthouse Records in Australia but also on Polaks Records in Europe.
 
All songs written & performed by Darcy Berry hum ok Darcy but there is a real band behind you now, some members of Kosmetika, Alien Nosejob and Body Maintenance have turned a solo concept into a proper live act right ?
Except for 2021 which was already on the demo (but was re-recorded as a longer version), this EP deliver 3 new tracks of very good post-punk.
 
 
 
  What strikes me at first and what I really enjoy is that the synth is getting a lot more discreet! Moth is now a very efficient post-punk act without all the weird cheap Science fiction sounds. Darcy is still playing with a very British approach of the vocals (damn it reminds me so much of some not-so-politically-correct 80s British oi! bands, in the vocals only of course!); the sharp guitar riffs and powerful song construction are now adding real value to the now "classic" Moth formula.
Of course the synth is still here but it's part of a whole, helping the songs take some consistency and not taking over the melody as it happens too much unfortunately.

Veeka Nazarova from Kosmetika delivers great singing in Russian on Jealousy which adds variety to the record without completely changing the formula as she manages to keep a similar way of singing. A very good song.
 
 
This EP brings the band in the big league, I would say that they get closer to the sound of already established bands like Collate.
 
 


Moth's latest release, the self-released Modern Madness tape, really fits in the 7" continuity BUT with a step backward. The whole idea is a bit strange as 3 out of these 4 tracks were already on the demo, so yes Moth seems to become quite good at making new stuff out of old recipes.
Of course everything has been re-recorded and shortened a bit, which is probably why they sound so new. Yes the songs are the same but, first it sounds a hell lot better (that hi-hat on Modern Madness!) and second the energy is completely different which is why this tape is closer to the 7" than to Initial Object.
 
 
  Unfortunately it's the new song, Work, which fails to convince me... it sounds like a track from the demo or from Initial Object... which would actually make sense as the other tracks are originally from the demo but what I mean is that it sounds like it was actually on the demo...

Anyway that's the second solid release of the band in a few months only, well done!



You can listen to Moth on Rien à Faire #16.
 

 



mercredi 23 septembre 2020

MSPaint

 

MSPaint is a new band from Hattiesburg, Mississippi, which released a 4-track demo tape earlier this year. Not much more information about these guys so it's going to be a short one.

The tape is out on Earth Girl and for some reasons caught my attention.
I don't really know how to describe what MSPaint is playing. It's kinda slow, kinda heavy most of the time, kinda noisy but with always some catchy melody in the background... there is some synth (but not too much)... the singing style is edging with rap sometimes... yes it's a weird but really interesting mix in my opinion.
 


MSPaint songs sound to me like end-of-the-world lullabies, like Zach de la Rocha on Prozac directing the soundtrack of Twin Peaks with a drunk white trash synth band... there is a quite unique atmosphere that makes me want hear more from them...
 
Let's see what comes next... 


You can listen to MSPaint on Rien à Faire #14.

 

N,J'Oi!

 

 

mercredi 16 septembre 2020

Expose

 

Expose is a mysterious band from Los Angeles, California, which has produced quite a lot of super weird songs since summer 2019.

So yes sorry I won't be able to give much information about the band.

 Both Demos released in July and August 2019 and respectively called E1 and E2 have been put on a single tape (called Demos) by the Californian label 5 Star Limo almost at the same time (August 2019). 
5 songs from E1, 4 songs from E2, these 9 tracks are probably issued from the same recording session anyway. But where the fuck are we here?
It starts fast, dirty, noisy and punk with Motive and Protest, almost experimental noise punk if I may say... a bit electronic as well... like Kraftwerk, Devo and Discharge jamming together in an unsanitary basement... 
  Then it slows down a bit with Max Reduction and Demons and its heavy synth lines, bringing a more classic Devo-ish on speed synth punk touch before reaching the proper new-wave track Deaf Trust... 
After CNS which can be seen as the intro of E2, Now, the next song, comes back to something more punk, a mid-tempo noisy mix with a lot of delay on the vocals and a very linear drum machine pattern... a bit like a slower version of a Murderer song.
Same recipe but so much slower for Arrest. 
 
And here we go slower and slower again with Glue which concludes these demos... a lot of delay, a really "crushed" synth sound, some depressed and distant vocals, sound almost like a slow EBM song!
 
Well it's an interesting start, I am not sure what to say about it, I like it though.
It's free, wild, a bit dirty and crazy... quite arty of course... but why not?
 

A few months later, in November 2019, 5 Star Limo releases a new Expose tape humbly named E.

With these 9 songs including Protest, Demons and Now, Expose continues its journey in the weirdest parts of noisy punk meets EBM meets art and synth.
Faster and more energetic than the demos (the new versions of the 3 songs are also shorter because faster!), the band is finding its way, keeping the atmosphere and the weird, insane and electronically deranged transitions but being more consistent in its use of noise effects and synth. 
 
  Expose concludes this second release with the slow, disturbing and EBMish Dagger reminding us that the new wave / electronic scene influences are not gone.
 
And BIM!
Expose comes back in June with what caught my attention in the first place and is their masterpiece in my humble opinion: their latest self-titled tape.
This time Expose sounds like a real, complete band, forget the drum machine and the EBM / Electronic side, here is some proper and furious noisy punk!
With only 2 songs out of 7 passing the 2:30 min mark, the guys from LA are now playing faster, stronger and louder! Screams all over the place, stomping drums, deafening guitar riffs yes Expose came to turn the place upside down!
Even Owl Sighting which started as a nice little punk ballad turns into total chaos...

The synth is gone for good as well but the arrival of a saxophone is a success and adds an extra touch of weirdness (think of a Lukrate Milk kind of saxophone) and buzzing atmosphere to the galactic craziness.

But this is not just a never ending downpour of noise and fury no! Expose is smarter than that, building slowly but surely the mayhem to come, giving some air to our poor eardrums before pushing them again to the limit, making sure to not let us leave untraumatized...
 
This is the kind of record/band that is pushing the genre to its limits, opening the way to another dimension of punk... thank you for that, thank you EXPOSE!


You can listen to Expose on Rien à Faire #13.


 
 
 
 

jeudi 9 avril 2020

VA - FUCK THE VIRUS THIS IS QUARANTINE PART 5



To special situation, special compilation!
Here is the FINAL part of the soundtrack of the epidemic! 

Some classics, some punk, some hardcore... everything you need for a perfect day between 4 walls!
 Play it loud!


FUCK THE VIRUS (PART 5)
SOLITARY CONFINEMENT!!!


From Song 1 to Song 8


 01 - The Weirdos - Solitary Confinement
02 - Karanteeni - Potilas X
03 - Icons Of Filth - Virus
04 - Subhumans - Germ
05 - Chain Cult - Isolated
06 - Dead Kennedys - Government Flu
07 - Life Trap - Solitary Confinement
08 - Total Abuse - Disease



From Song 9 to Song 16


09 - No Problem - Isolation
10 - The Members - Solitary Confinement
11 - Ceremony - Quarantine
12 - Disturbance - The Virus
13 - Alert! Alert! - Epidemia
14 - Talk is Poison - Isolation
15 - Vacant State - This Disease
16 - A trois Dans Les WC - Contagion


DOWNLOAD IT HERE 




N,J'Oi!
 (and wash your hands)

mardi 24 mars 2020

VA - FUCK THE VIRUS THIS IS QUARANTINE - PART 3


To special situation, special compilation!
Here is the third part of the soundtrack of the epidemic! 

FUCK THE VIRUS (PART 3)


01 - Chronic Sick - Public Suicide
02 - Set To Explode - World Diseased
03 - The Orphans - Virus One
04 - Ubik - New Disease
05 - Bruised - Arrow of Disease
06 - Let's Grow - Disease of Modern Times
07 - Sick Pleasure - Herpes Virus 2
08 - Red Dons - Too Sick
09 - Fall Out - Sick City
10 - Rabies - Disease Core
11 - UK Subs - Disease
12 - Vitamin X - Sick and Tired

13 - Cry - Stay inside
14 - Fugazi - Lockdown
15 - Health Problem - Sleepless


DOWNLOAD IT HERE 




N,J'Oi!
 (and wash your hands)