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mercredi 16 février 2022

La Milagrosa

 

La Milagrosa (The Miraculous) is a quartet from NYC featuring four guys from Puerto Rico who moved to the big apple a few years ago. A little reminder for those who are not familiar with North America geography: Puerto Rico is a Caribbean island and an "unincorporated territory of the United States", which means the residents are US citizens but they can't vote to elect the US presidents or senators and representatives to the U.S. Congress. Yes it's a weird and quite complex status and you should check the Wikipedia page dedicated to this matter if you want to learn more about it.
Anyway the island was a Spanish colony for centuries before falling under US domination so, as you hopefully know, people speak Spanish there and naturally also sing in Spanish (even in Punk bands based in NYC). And just to make it clear I don't understand shit of (almost) anything said or sung in Spanish so I won't be able to write much about the lyrics but, as the band explained in some interviews, some addressed themes are racism, "difficulties" in Puerto Rico, Puerto Rico history linked to slavery and personal issues among others.
 


La Milagrosa released their first EP at the end of 2019 (it was then remastered and re-released in 2020) on Medio Pocillo Records, which happens to be run by Eduardo, the drummer. The cool art is by
Amanda Belàez and is inspired by El genio del ingenio, a 1910 painting by Julio Tomás Martínez, which loosely translates to The Will of the Sugar Mill and is about slavery and the abuses perpetrated by plantation owners in Puerto Rico.



To be honest I had first only listened to the first version of the EP and I really enjoyed the remastered version as I could feel that the sound lacked the energy to really express the rage of the songs. Because yes it's quite angry, the four guys play a kind of punk which doesn't fall into a specific kind of subgenre but could be described as hardcore punk I suppose. It's not USHC or Swedish hardcore or UK82 or whatever else, it's straightforward, it's fast but not super fast, yes it's somewhere in between a lot of things, it's very punk though and that's what matters in the end I guess.
It's all in Spanish and the vocals sometimes reach a tone and frequencies reminiscent of Martin Sorrondeguy's screams (you know the kind, very shrill and piercing), even if Los Crudos and his other bands play a lot faster than La Milagrosa so the comparison has therefore very obvious limits. I'm sure people more knowledgeable than myself in hardcore in Spanish will draw more accurate comparisons though.

So this EP is quite cool but doesn't really stick out to be honest. I mean there's nothing wrong with it but I can't help but feel that it misses a more pronounced musical identity, something a little more catchy and original in the construction of the songs to fall into the category of bands I talk about to my imaginary friends.



Art by Robin based on a "Panic Attack" theme.

La Milagrosa is back on this beginning of 2022 with a 13-track full length on Iron Lung Records.



There won't be any need for a remastering with Panico, the tracks are powerful and it sounds (almost) as in-your-face as it gets in hardcore punk. The four Puerto Ricans keep writing the same kind of straight forward and unsurprising punk tracks like they did on their debut release but I nevertheless have the feeling that the band has gained in songwriting quality, the structures are a bit more varied, the tempo changes are more assertive, in short that the band has improved with age.
 
 
With only two tracks out of thirteen longer than two minutes (but all over one minute), Panico doesn't fall into the category of ridiculously short and fast hardcore albums but on the contrary got the "time and depth" of "more developed" punk songs (um I'm not sure I'm being very clear, let's just say that for me, it leans more towards the "fast" punk side than the hardcore side). La Milagrosa don't give up on enjoyable mid-tempo parts either (like on Camaleon), which allow the brain to take a break from the pummelling drumming.


And the comparison to Los Crudos sounds even more accurate on Panico. Let me explain, to me the Crudos have always been the kind of band I like to listen to from time to time (especially when I'm with friends and we're doing something else) but I never remember which songs I listened to and after the third one I switch to something else because they all sound the same (there is a cruel lack of "variation of intensity" and "catchy musical identity" in Los Crudos). And that's not completely what I mean about Panico but there is this feeling that, despite the improvement in songwriting, it's all a bit similar in the average punk category in the end you know.
Don't get me wrong, this is a powerful hardcore punk album but I've been listening to punk music long enough to be a bit picky and it wouldn't be honest to not include all my thoughts in my reviews (which is by definition a highly subjective exercise).
In short, whether you love Crudos (or not) and whether you've already been convinced (or not) for a paragraph that I'm an idiot with no taste, do yourself a favor and listen to La Milagrosa!





You can listen to La Milagrosa on Rien à Faire #30.




 
 
 




samedi 20 mars 2021

Fairytale

 


 Fairytale is one of the latest band to emerge from today's prolific raw punk / d-beat / crust New York scene. Featuring long time noise addicts who've been seen making a hell of a ruckus in bands like Subversive Rite, Scalple, Twisted Thing (who recently released a new killer 7"), Miedo, Dilate, Razorheads, the excellent Pobreza Mental, Human Blod, Zero and probably many more, Fairytale takes advantage of this solid experience of musical mayhem to make its entrance in a big way.
Most of these bands are well beyond the limits of what I can appreciate in terms of Metal influences (I hate metal, probably why I don't dig Crust), but I do enjoy a nice and chilled raw punk / d-beat band from time to time as long as they keep lame guitar solos away from my sensitive eardrums...  
 
Fairytale make their debut with this 3-(4?)track self-released demo cassette in April 2019.
Lulu (front-woman of Twisted Thing) is the one who gives her voice to the violence of the band's compositions here. NYC, female vocals, raw punk / crust... ok you're of course thinking Nausea, which would be the easy (and lazy) comparison, but first I don't like Nausea, second the dual female/male vocals make it quite different and third Nausea is a lot more influenced by Metal than Fairytale...
 
 
   No Fairytale is way closer to my sphere of interest with a super powerful kind of fast and straight forward raw/d-beat punk. It sounds like a demo, it sounds old-school, which is what your punk fetish brain is looking for anyway, so... it sounds good!
The vocals are buried just deep enough in the deluge of fuzzy, but abrasive, guitar riffs, the drums sound like a shitload of cymbals and the bass just never stops galloping at full speed, always on the verge of falling, just to better draw us into the intoxicating whirlwind created by the warped energy of these three songs... 
 
Ok it's very short but that's fine with me as I can only enjoy this kind of stuff for a very short time anyway, so that's just the perfect length to me.  
 

  Only two tracks on this late 2019 tour flexi, including one from the demo (Mayday), both of them recorded in September 2019.
On top of the obvious Swedish and Finnish 80s d-beat / hardcore influences, it makes me think a bit of what some F-minus songs could have sounded like if they would not have been so overproduced. 
 
 
   Once again it's super fast, super raw, it's a bloody punch in the jaw (damn what a punchline), in one word it's intense! 2:35 in total for two songs, yes it's short but not excessively short, it's once again just short (or long) enough!
Perfect for the last minutes in the elevator before the dive in the mortiferous open-space office for a day as boring as I imagine it.  
 
 
 
Here we reach the real object of this article, the brand new 7" released on Desolate Records from Minneapolis.
 Within four tracks only (including Better Off Dead / Damaged which was on the demo), Fairytale delivers what is, in my opinion, their best material until now. The sound is perfectly balanced between classic d-beat and hardcore punk, which is exactly what I dig.
 
 
  This EP sounds closer to the most furious female-fronted bands I'm into, I'm thinking of bands like C.H.E.W, Flower (also from NYC), Khiis or No Future.
And even despite a couple of weird (but dissonant enough to be accepted by my brain) guitar solos, I find all the tracks equally enjoyable in a "come get your fury shot" kind of way. ...
Fairytale reminds us bluntly that life is not one (fairy tale)... so make yourself a favour and jump in for a few minutes of chaos and anger!




You can listen to Fairytale on Rien à Faire #20.

  

vendredi 4 décembre 2020

Bipolar

 

picture by Joel Henderson

 

Bipolar started not too long ago as the musical project of two Iranian friends living in NYC who, in addition to a strong love for punk and rock'n roll, seem to share a common hobby for cross dressing performances.
One of these guys also played keyboard in the Spits for some time. 
They were soon joined by two other people on keyboard and drums to form a proper live line-up and satisfy their impulses of clownish transvestism.
 
Usually I am not a big fan of disguised bands (except in psychobilly maybe), I feel that most of the time it quickly turns into a sad joke everyone forces themselves to find funny. That's not always true of course and a solid/crazy live performance does not really depend on what pants you wear or not (well...).
  Anyway these guys look like they are able to deliver both crazy live shows and great, catchy music, so let's go!
 

 The band released their first two songs in March under the mysterious title
1​-​(​800​)​-​CALL​-​ICE.
As all great songs War Propaganda starts with a kazoo before turning into a heavy mid-tempo song with some post-punk and 80s US punk influences. The dual vocals make the atmosphere at the same time very alive and very anxious.
 
 
   
Pig sounds more like a badass rock'n roll song with the two guys singing together most of the time, it's heavy, it's simple, it's straight forward, it's super efficient!
 
Bipolar seems to have already made a name for themselves with their explosive live acts, it's one of this band which is all dedicated to live shows and start recording sometimes afterwards. 
But these two songs are a great start!

 
 
 

  Out on Slovenly Recordings a few days ago, Bipolar's 7" starts with a blast with Depression, a super catchy, mid-tempo, straight forward punk song. A soft keyboard melody warms up the place before the landing of the gang vocals and punchy guitar riffs : 
"SOMETIME WHEN I GET UP, WHEN I GET OUT OF THE BED, I LOOK OUTSIDE THE WINDOW AND I WISH I WAS DEAD"
Brillant! 
  
   
Unfortunately the rest of the EP is not as catchy, Virus is a-bit-too-classic track which does not really stays in the head.
 
Fist Fight and Sad Clown are quite surprising considering the other tracks, they're pure UK82 with some Oi! vibes... don't get me wrong they're great but not as "modern" or catchy as Depression.
Sad Clown makes me think a bit of Upright Citizens's Bomb Of Peace (Ok I know it's a german band but it's pure UK82 sound anyway). The two iranian friends seize the opporturnity for a little payback, Sad Clowns is of course about the leaders of their country of origin, Iran, and the religious extremists who rule since the end of the 70s.
 
 
 
A very good EP overall, I just hope the future will see the band expand their catchiness and not stick to much to the UK82 sound dogma.
 
But what I hope the most is to see their makeup faces on stage one day!
 

 
 You can listen to Bipolar in Rien à Faire #17
 
 
N,J'Oi!