vendredi 11 septembre 2020

Public Eye

 

 
picture by Josh
 
 Well I really hope you have heard of Public Eye before reading these lines, if not you really missed something pal!
 Featuring all members from the great Autistic Youth (they just swapped instruments and changed their name), the band is keeping alive and kicking the great tradition of the Portland (Oregon) punk scene which started shaking up the little world of punk in the early years of the 2000s with, what I call, Melocholic punk rock!
I am of course thinking about The Observers, Red Dons, The Estranged, and Autistic Youth but also Defect Defect, The Speds (pre-Observers band) and to a lesser extent The Minds and Steel Chains.
 
Ok so let's be honest here, to me Public Eye is one of the best punk band of the last ten years. And I mean it!
I have listened to their first two releases hundreds of times and never got bored of it, so yes I am glad I can finally write a few words about them.
 

 Mood Change Party was released as a demo in 2015. Demo my ass this thing is a fucking masterpiece!
In 5 songs these guys totally blew me away... it's catchy, it's melodic, it's sad, it makes you wanna sing, dance, have a beer, kiss your best friend on the ass and all that together!
With great bass lines, a perfect recording sound, a just-melodic-enough guitar playing and some heady but beautiful chorus vocals, Public Eye manages to make perfectly fit together the melancholy and disillusionment of early post-punk with the melodic catchiness of modern punk rock... and that is genius!
 
The demo was released as a tape by Sabotage Records from Germany and Exit Records from Malaysia.



Two years later, in 2017, the four men from Oregon are back with a full length which after a release by the band finally got out on Best Before Records (which has not put out many records from what I know).
When I first listened to Relaxing Favorites I thought my heart was going to stop, the album picks up exactly where the tape had stopped (it actually includes 3 songs from Mood Change Party so yes literally)... and turns the masterpiece into a greater masterpiece!
Same fantastic recipe with a little bit more distorted guitar sound, Public Eye is on top of the world!
 
  I could go on and on about each songs but I would just repeat some words like great, fantastic, mind blowing or amazing all along, emptying them from their whole meaning...
Yes it is all that and so much more, it's Wire jamming with The Observers, it's The Cigarettes drinking with Red Dons after Ian Curtis passed out under the pool table...
Moving up a gear on a few songs, the whole lot is melodic, beautiful, catchy, swinging, whatever but also deeply punk! And to me there are only a few bands which have been able to marry so well sense of melody, deep emotional transmission and the energy and inflexibility of punk rock (whatever punk rock means to you). I mean it talks to all the layers of myself and damn... it turns me totally upside down...
 
I will never get bored of Relaxing Favorites.
 

 
The band goes through a little line-up change after that, Samia replacing Alex at the bass.
 
 I will now jump the track on the split with The Estranged from 2018 (a weird, almost new wave, song with what sounds like a drum machine) and go directly to their latest release.
(and there is not even a single dot of red on this split's cover!)

 
Public Eye is back with Music For Leisure, their second full length, three years after Relaxing Favorites, and you can imagine how excited I was when I heard about it.
Released by Drunken Sailor in Europe and Pop Wig in the states, it was about time that some "big" label started being interested in the band from Portland!

So I have to be honest here, at first I was deeply disappointed by this album.
No track was really catching up my attention... I found the whole lot quite sluggish and boring...
And then I listened to it again... and again...
 
 
Ok it starts really weakly with Descending which poorly tries to keep the recipe of the previous album, unfortunately crosses the "low energy border" the band was sometimes edging with in the past and delivers a failed attempt of a new style of guitar solo.
  New Year and The Door is Closed are a bit better, the formula works well all right but it still lacks energy despite a couple of great parts (and definitely these guitar solos...no).
Awful Questions is probably the best track of the album winning the title thanks to a solid and catchy guitar riff. 
   
  Lost Dog which was the first song release on bandcamp, Neat Machines / Red Flag, The Fiend and I Might Go are really lacking something... the energy is low and it almost sounds like a lame indie band sometimes. The idea was to keep it punk guys!
I really like The Duet, a calm song with a dark but interesting atmosphere which turns into a saxophone circus, bringing a bit of craziness at last.
 You're Being Laugh At starts like another typical not-too-bad-not-too-great song and then builds up slowly slowly an interesting mix of saxophone, haunting melodies and (slightly) greater energy. Yes the sax was a good idea!
 
In the end, despite a few good songs, this albums fails to completely convince me. It's not bad but it's lacking the energy of Relaxing Favorites. The band has not been able to reproduce the delicate balancing act between energy and soft melody of the 2017 album.
  
   
 
N,J'Oi! 
 
 You can listen to Public Eye and other stuff on Rien à Faire #13.
 
 
 
 
 


mardi 8 septembre 2020

Heavy Discipline: LP!

 

As you may know I already wrote a few words about the Negative Approach influenced hardcore of Heavy Discipline when they released their demo one year ago.

Well the four angry guys from Pittsburgh are back with a LP on Pain Killer Records (which also released the demo) and believe me, the mood has not changed over the past year!
First of all I really like the artwork, inspired by the 80s/90s classic hardcore drawings ahah these guys are really making ugly faces!
 
 To be honest it took me a few listens to really get into this LP. These guys know what they are doing and master every second of their record to make it fit perfectly in the "hardcore codex".
Yes we are somewhere between Negative Approach and the Boston scene, think Boston Strangler, the british guys of Violent Reaction, Mad Existence and many others...
So nothing new under the basement ceiling (and I tend to like bands taking risks) but in the end I think I am quite convinced. It's reeeeally well played, the songs are diverse enough to not feel like the same track going on over and over, the energy is pfffiuu crazy... well this what I expect from a good hardcore band after all!
 

 
But what really blew me away in this record is the drumming! Tom Moran has played in many great Pennsylvania based bands in the past years, including Blood Pressure and No Time but also more recently Loose Nukes (in which he plays bass) and Machine Gun. I had the opportunity to see him behind the drums the two times I saw Machine Gun last year and damn I have never seen anyone wearing tight blue jeans playing soooo fast, absolutely unbelievable. 
It's just so fast, so neat with perfectly mastered snare and toms bursts, like a proper machine gun...this guy is taking us to a war zone and, in my opinion, brings this record to another level...

 

A good but not surprising album, just go for it with your eyes closed if you are into this kind of hardcore! 

  You can listen to Heavy Discipline in Rien à Faire #14.

 

N,J'Oi!

 

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dimanche 6 septembre 2020

All Hits

 
 
 All Hits is a trio from Portland, Oregon which has been around for a couple of years now and play some kind of mostly mid-tempo punk.
Note that at behind the guitar and mic you can find Janie when she is not behind the drums in another good band from the Portland area: Collate. 
Izzy, at the bass and mic (as well), is also playing in the very (very) synth punk act Dress Forms.
 

Introducing is probably what we can call the band demo. Released as a 4-track tape at the very end of May 2019, it includes only 2 tracks on their bandcamp page and that's unfortunately all I had access to.
Rolling mid-tempo percussion, guitar switching between background melodies and open  riffs... the band is swimming on the edge of the punk pool, close to the indie side, and the great dual vocals singing of Janie and Izzy is stressing it a lot... and it's working!
Izzy takes care of the punk side of the chant while Janie does some proper singing, bringing a softer and more melodic side to the songs which makes me think of bands like Child's Pose or Catisfaction.
 

 
A bit more than a year later the band releases Men And Their Work, its first full length, on Iron Lung Records (a label which really surprises me these days by the extreme diversity of its catalogue).
Within 8 songs and a short intro the band delivers what their demo promised, a great and well mastered album. All Hits keeps the same recipe with an extra pinch of energy (especially on the hit Blockhead) and punk attitude (Izzy taking the lead on most of the songs, taking us back to a long tradition of female-fronted punk bands).
Still mostly mid-tempo, the All Hits' songs do no hesitate to  move up a gear when it's needed and as an old punk/hardcore fan I always enjoy a little bit of speed.
I mean the three girls from Portland are writing good songs, keeping the whole lot diverse,  energetic and super enjoyable. We are now at the border between old 70s female-fronted punk, the riot grrrl movement (am I hearing some Kathleen Hanna influences in some melodic singing parts?) and more modern all-female bands as quoted above.
 

There is even something of the Dead Kennedys in the super tensed verses of Kickback (that surfish guitar and rolling bass lines man!) and I love it!
 
 
 
  In the end I have to admit that I enjoy a lot more the more aggressive singing parts of Izzy than the melodic side of Janie but well that's me.
All that matters is that All Hits IS A GOOD BAND!
(and it's not the below live videos that will make me say something else)



N,J'Oi!

 

You can listen to All Hits on Rien à Faire #13.

 

RAF is on FB

and INSTAGRAM

 

 

jeudi 3 septembre 2020

Liiek: new EP

 

If you are into post-punk you may have heard of this new berlin based band called Liiek... if not you should immediately check the enthusiastic words I wrote about their first LP a couple of months ago!

Well for my greatest pleasure, the german trio is back with a new EP only a few months after the release of their fantastic full length (god bless the lockdown which made these guys so productive!).

 

 With these 3 new songs 7" out on the new Berlin label Mangel Records, the band delivers again some fantastic post-punk which sounds like Crisis without Prozac or Wire meets Gang of Four for about ten pints.

Yes I know it sounds lame to keep saying how great it is but it IS great!
From the very late 70s energetic punk anthem One Two to the more melancholic post-punk ballad of Fitted and Lost, this EP is perfect... Managing the oh so difficult task to make something new with all the perfectly mastered recipes of the best from the past, because yes we have all heard this sound before but it does not appear like a total copycat, it just pops up like a highly enjoyable result!
 
LONG LIVE LIIEK! 

You can listen to Liiek in Rien à Faire #14.


N,J'Oi!

 

 RAF is on FB

 

and INSTAGRAM

mardi 1 septembre 2020

VA - Rien à Faire #14


Aaaaaaand I'm BACK!
A looot of great new releases in this post-vacation / end of summer time.
Punk, hardcore, post-punk, noise-rock and some weird stuff I am not sure in which drawer to put in,
these 16 tracks will make you hop like a deer on your way to school!

 N,J'Oi!


01 - Brandy - UFO's To Heaven
02 - GAG - Still Laughing
03 - Trash Knife - Ovary Concern
04 - Heavy Discipline - No Amends
05 - Jackal - Programmed
06 - Glueams - Mental
07 - Mspaint - Confidence (Consciousness)
08 - Whipping Post - The House Of Joy, The Final Hell
09 - Liiek - One Two
10 - Knowso - Peaceful and Extinct
11 - Mess -True Love
12 - Cells - I Hate Your Guts Pts. 1 & 2
13 - Cage Kicker - Foes
14 - Reacción Violenta - Dios y patria
15 - USA Nails - Revolution Worker
16 - Girls In Synthesis - Set Up To Fail
 

And as usual the full compilation can be downloaded:
HERE

 





 
 

dimanche 9 août 2020

Summer break



ok guys it's time for me to take a short summer break.
I have managed until now to keep posting regularly for the past 11 months or so (and it is not as easy as it seems) but now I need a few weeks break.

I will see you in September with a new compilation of angry music nobody cares about!


Stay Safe!



samedi 8 août 2020

Vangas New Single




Just a quick one to talk a bit about the new single by The Vangas.
If you are not new to this blog you may have seen my enthusiastic piece about the past releases of the band from Atlanta.
Well the little green men are back with a new 2-track single on Chunklet Industries Records (like their first single) and man that is great news!

Every Day is The Same / Sandstone are clearly coming from some swampy noise rock pool... Vangas is not fucking around any more and wants it dirty, heavy and in-your-face in a very loud and noisy way...

Heavy bass, angry/desperate vocals, stomping but obsessive drums,  alternatively discreet, bursting and insane guitar parts: Every Day Is The Same is a masterpiece of modern despair, a beautiful incarnation of entrapment feeling. And as half of the world has been or is still experiencing a lockdown, I am sure I will not be the only one relating to it... Genius!


Sandstone takes us for a longer trip, more than 5 minutes long it gives plenty of time to our sexually deranged goblins to explore the darkest corners of their noise rock... As a spectator we can only be (once again) the witnesses of the band enthusiasm for noise, larsens and everything that can sound like chaos out of an amp... Grab holding our plastic chairs and beer cans, petrified, we can stare, blink maybe and listen to our ears bleeding...
Yes it is dark, very dark and it will remind to a lot of you long evenings of teenage depression, warm beer and shapes carvings in the forearms...


Vangas is good.

Guys give us a LP now!





mercredi 5 août 2020

Utopian



Well unfortunately this one is going to be short.
Utopian is a new band from LA which just released this 6-track demo tape on Urge Records and Erste Theke Tontraeger.
Great female-fronted straight forward punk edging with hardcore, it sounds sometimes like a fast version of Action Pact! or Vice Squad but the barking vocals reminds me strongly of Ashley from Cold Meat.

These guys know their classics and manage to keep it diverse enough to not bore me for a sec.
Mid-tempo or fast with strong UK82 influences in Living Somewhere and Spiritual Vision, Utopian can also be close to the hardcore side of punk in Immaterial or Circle A.
But this demo tape is all but a bulldozer, it's fast, it's slower, it's taking you aside for a smart break but the energy is always maximum...
A great demo, I just hope to learn more about the band with their future releases!


N,J'Oi!


You can listen to Utopian on Rien à Faire #13.




lundi 3 août 2020

Ohmns



picture by Shaun Pugh

Ohmns is from Liverpool, UK, and has been playing some furious garagish punk since 2014.
They have toured with bands like The Black Lips and The Gories but their sound has evolved quite a lot over the past few years, taking them slowly out of the garage circle...


The Rice Tape is the band first release (2016): 5 tracks of really enjoyable garage punk.
We are between the Voodoo Rhythm catalogue, some more "mainstream" garage influences like the Black Lips and faster rock'n punk bands like The Bottomfeeders.
Oh and these guys are of course big fans of The Stooges (who isn't?) as Keshi Heads long break clearly states.
Except for the beginning of Boil D Rice that I really find non necessary, it's a classic but nice first release for a band which has still a lot to offer.



Ohmns releases its first EP in 2018 on Sentinel Records (run by a guy from Clinic) and the atmosphere is quite different from the tape.
With 3 songs between 4:45 and 6 min, things are getting longer and the brits are clouding the issue.
It starts quite punk, it goes through some rock and grunge breaks before diving again in a garage punk pool. It took me a while to really dig it, but these Nirvana influenced parts (Love Buzz!), these obsessive rhythm and surprising explosions of energy finally seduced me.
I don't really know where we are with this EP, maybe around Seattle in 1988? Maybe on a sped up Nuggets compilations? But who cares? We're Ohmns!




And here is III, the latest (and best in my opinion) release of the band.
Available for free as a digital release, it is also now available as a very limited tape edition.
Another change of style here, the sound is more direct, less low-fi or grungy, it's fast, it's full of energy, it's punk and it's great! It stops, it explodes, it comes back, Ohmns sure knows how to play catchy songs!... and a lot of gang vocals this time!
It makes me think of less tough version of the Wilfull Boys.
I just love it!
Only two songs are available on bandcamp (4 on the tape) out of a 7 songs recording session which was supposed to give birth a new EP (short LP?) this year... I don't know what happened but it looks like it's postponed for now... I am really looking forward to listen to the lot though!



N,J'Oi!


You can listen to Ohmns on Rien à Faire #13