Well I really hope you have heard of
Public Eye before reading these lines, if not you really missed
something pal!
Featuring all members from the great
Autistic Youth (they just swapped instruments and changed their
name), the band is keeping alive and kicking the great tradition of the Portland
(Oregon) punk scene which started shaking up the little world of punk in
the early years of the 2000s with, what I call, Melocholic punk rock!
Ok so let's be honest here, to me Public Eye is one of the best punk band of the last ten years. And I mean it!
I have listened to their first two releases hundreds of times and never
got bored of it, so yes I am glad I can finally write a few words about them.
Mood Change Party
was released as a demo in 2015. Demo my ass this thing is a fucking
masterpiece!
In 5 songs these guys totally blew me away... it's catchy, it's melodic,
it's sad, it makes you wanna sing, dance, have a beer, kiss your best
friend on the ass and all that together!
With great bass lines, a perfect recording sound, a just-melodic-enough
guitar playing and some heady but beautiful chorus vocals,
Public Eye manages to make perfectly fit together the melancholy
and
disillusionment of early post-punk with the
melodic catchiness of modern punk rock... and that is genius!
The demo was released as a tape by
Sabotage Records
from Germany and Exit Records from Malaysia.
Two years later, in 2017, the four men from Oregon are back with a full
length which after a release by the band finally got out on
Best Before Records (which has not put out many records from what I
know).
When I first listened to
Relaxing Favorites
I thought my heart was going to stop, the album picks up exactly where the
tape had stopped (it actually includes 3 songs from
Mood Change Party so yes literally)... and turns the
masterpiece into a greater masterpiece!
Same fantastic recipe with a little bit more distorted guitar sound,
Public Eye is on top of the world!
I could go on and on about each songs but I would just repeat some words
like great, fantastic, mind blowing or
amazing all along, emptying them from their whole meaning...
Yes it is all that and so much more, it's Wire jamming with
The Observers, it's The Cigarettes drinking with
Red Dons after Ian Curtis passed out under the pool
table...
Moving up a gear on a few songs, the whole lot is melodic, beautiful, catchy,
swinging, whatever but also deeply punk! And to me there are only a few
bands which have been able to marry so well sense of melody, deep
emotional transmission and the energy and inflexibility of punk rock
(whatever punk rock means to you). I mean it talks to all the layers of
myself and damn... it turns me totally upside down...
I will never get bored of
Relaxing Favorites.
The band goes through a little line-up change after that, Samia replacing
Alex at the bass.
I will now jump the track on the
split with The Estranged from 2018
(a weird, almost new wave, song with what sounds like a drum machine) and
go directly to their latest release.
(and there is not even a single dot of red on this split's cover!)
Public Eye is back with
Music For Leisure, their second full length, three years after Relaxing Favorites, and
you can imagine how excited I was when I heard about it.
Released by
Drunken Sailor
in Europe and
Pop Wig
in the states, it was about time that some "big" label started being
interested in the band from Portland!
So I have to be honest here, at first I was deeply disappointed by this
album.
No track was really catching up my attention... I found the whole lot
quite sluggish and boring...
And then I listened to it again... and again...
Ok it starts really weakly with Descending which poorly tries to
keep the recipe of the previous album, unfortunately crosses the "low
energy border" the band was sometimes edging with in the past and delivers a
failed attempt of a new style of guitar solo.
New Year and The Door is Closed are a bit better, the
formula works well all right but it still lacks energy despite a couple of
great parts (and definitely these guitar solos...no).
Awful Questions is probably the best track of the album winning
the title thanks to a solid and catchy guitar riff.
Lost Dog which was the first song release on bandcamp,
Neat Machines / Red Flag, The Fiend and
I Might Go are really lacking something... the energy is low and
it almost sounds like a lame indie band sometimes. The idea was to keep it
punk guys!
I really like The Duet, a calm song with a dark but interesting
atmosphere which turns into a saxophone circus, bringing a bit of
craziness at last.
You're Being Laugh At starts like another typical
not-too-bad-not-too-great song and then builds up slowly slowly an
interesting mix of saxophone, haunting melodies and (slightly) greater
energy. Yes the sax was a good idea!
In the end, despite a few good songs, this albums fails to completely convince me. It's not bad but it's lacking the energy of Relaxing Favorites. The band has not been able to reproduce the delicate balancing act between energy and soft melody of the 2017 album.
N,J'Oi!
You can listen to Public Eye and other stuff on Rien à Faire #13.
As you may know I already wrote a few words about the
Negative Approach influenced hardcore of
Heavy Discipline when
they released their demo
one year ago.
Well the four angry guys from Pittsburgh are back with a LP on
Pain Killer Records
(which also released the demo) and believe me, the mood has not changed
over the past year!
First of all I really like the artwork, inspired by the 80s/90s classic
hardcore drawings ahah these guys are really making ugly faces!
To be honest it took me a few listens to really get into this LP.
These guys know what they are doing and master every second of their
record to make it fit perfectly in the "hardcore codex".
So nothing new under the basement ceiling (and I tend to like bands
taking risks) but in the end I think I am quite convinced. It's reeeeally
well played, the songs are diverse enough to not feel like the same track
going on over and over, the energy is pfffiuu crazy... well this what I
expect from a good hardcore band after all!
But what really blew me away in this record is the drumming!
Tom Moran has played in many great Pennsylvania based bands in
the past years, including
Blood Pressure
and
No Time
but also more recently
Loose Nukes
(in which he plays bass) and
Machine Gun. I had the opportunity to see him behind the drums the two times I saw
Machine Gun last year and damn I have never seen anyone wearing
tight blue jeans playing soooo fast, absolutely
unbelievable.
It's just so fast, so neat with perfectly mastered snare and toms bursts,
like a proper machine gun...this guy is taking us to a war zone and, in my
opinion, brings this record to another level...
A good but not surprising album, just go for it with your eyes closed if you are into this kind of
hardcore!
All Hits is a triofrom Portland, Oregon which has been around
for a couple of years now and play some kind of mostly mid-tempo punk.
Note that at behind the guitar and mic you can find Janie when she
is not behind the drums in another good band from the Portland area:
Collate.
Izzy, at the bass and mic (as well), is also playing in the very
(very) synth punk act
Dress Forms.
Introducingis probably what we can call the band demo. Released as a 4-track
tape at the very end of May 2019, it includes only 2 tracks on their
bandcamp page and that's unfortunately all I had access to.
Rolling mid-tempo percussion, guitar switching between background
melodies and open riffs... the band is swimming on the edge of the
punk pool, close to the indie side, and the great dual vocals singing of
Janie and Izzy is stressing it a lot... and it's
working!
Izzy takes care of the punk side of the chant while
Janie does some proper singing, bringing a softer and more melodic
side to the songs which makes me think of bands like
Child's Pose
or
Catisfaction.
A bit more than a year later the band releases
Men And Their Work,
its first full length, onIron Lung Records(a label which really surprises me these days by the extreme diversity ofits catalogue).
Within 8 songs and a short intro the band delivers what their
demo promised, a great and well mastered album. All Hits keeps the same recipe with an extra pinch of energy (especially
on the hit Blockhead) and punk attitude (Izzy taking the
lead on most of the songs, taking us back to a long tradition of
female-fronted punk bands).
Still mostly mid-tempo, the All Hits' songs do no hesitate to move up a gear when it's needed and as an old punk/hardcore fan I always enjoy a little bit of speed.
I mean the three girls from Portland are writing good songs, keeping the whole lot diverse, energetic and super enjoyable. We are now at the border between old 70s female-fronted punk, the riot grrrl movement (am I hearing some Kathleen Hanna influences in some melodic singing parts?) and more modern all-female bands as quoted above.
There is even something of the Dead Kennedys in the super tensed
verses of Kickback (that surfish guitar and rolling bass lines
man!) and I love it!
In the end I have to admit that I enjoy a lot more the more aggressive singing parts of Izzy than the melodic side of Janie but well that's me.
All that matters is that All Hits IS A GOOD BAND!
(and it's not the below live videos that will make me say something else)
Well for my greatest pleasure, the german trio is back with a new EP only a
few months after the release of their fantastic full length (god bless the lockdown
which made these guys so productive!).
With these
3 new songs 7"
out on the new Berlin label
Mangel Records, the band delivers again some fantastic post-punk which sounds like
Crisis without Prozac or Wire meets Gang of Four for
about ten pints.
Yes I know it sounds lame to keep saying how great it is but it IS
great!
From the very late 70s energetic punk anthem One Two to the more
melancholic post-punk ballad of Fitted and Lost, this EP is
perfect... Managing the oh so difficult task to make something new with
all the perfectly mastered recipes of the best from the past, because yes
we have all heard this sound before but it does not appear like a total
copycat, it just pops up like a highly enjoyable result!
A looot of great new releases in this post-vacation / end of summer time.
Punk, hardcore, post-punk, noise-rock and some weird stuff I am not sure in which drawer to put in,
these 16 tracks will make you hop like a deer on your way to school!
N,J'Oi!
01 - Brandy - UFO's To Heaven 02 - GAG - Still Laughing 03 - Trash Knife - Ovary Concern 04 - Heavy Discipline - No Amends 05 - Jackal - Programmed 06 - Glueams - Mental 07 - Mspaint - Confidence (Consciousness) 08 - Whipping Post - The House Of Joy, The Final Hell
09 - Liiek - One Two 10 - Knowso - Peaceful and Extinct 11 - Mess -True Love 12 - Cells - I Hate Your Guts Pts. 1 & 2 13 - Cage Kicker - Foes 14 - Reacción Violenta - Dios y patria 15 - USA Nails - Revolution Worker 16 - Girls In Synthesis - Set Up To Fail
And as usual the full compilation can be downloaded: HERE
Well the little green men are back with a new 2-track single on
Chunklet Industries Records(like their first single) and man that is great news!
Every Day is The Same / Sandstoneare clearly coming from some swampy noise rock pool... Vangas is
not fucking around any more and wants it dirty, heavy and in-your-face in
a very loud and noisy way...
Heavy bass, angry/desperate vocals, stomping but obsessive drums,
alternatively discreet, bursting and insane guitar parts:
Every Day Is The Same is a masterpiece of modern despair, a
beautiful incarnation of entrapment feeling. And as half of the world has
been or is still experiencing a lockdown, I am sure I will not be the only one
relating to it... Genius!
Sandstone
takes us for a longer trip, more than 5 minutes long it gives plenty of time
to our sexually deranged goblins to explore the darkest corners of their noise
rock... As a spectator we can only be (once again) the witnesses of the band
enthusiasm for noise, larsens and everything that can sound like chaos out of
an amp... Grab holding our plastic chairs and beer cans, petrified, we can
stare, blink maybe and listen to our ears bleeding...
Yes it is dark, very dark and it will remind to a lot of you long evenings of teenage depression, warm beer and shapes carvings in the forearms...
Great female-fronted straight forward punk edging with hardcore, it
sounds sometimes like a fast version of Action Pact! or
Vice Squad but the barking vocals reminds me strongly of Ashley
from
Cold Meat.
These guys know their classics and manage to keep it diverse enough to not
bore me for a sec.
Mid-tempo or fast with strong UK82 influences in
Living Somewhere and Spiritual Vision, Utopian can also
be close to the hardcore side of punk in Immaterial or
Circle A.
But this demo tape is all but a bulldozer, it's fast, it's slower, it's
taking you aside for a smart break but the energy is always maximum...
A great demo, I just hope to learn more about the band with their future
releases!
Ohmns is from Liverpool, UK, and has been playing some furious
garagish punk since 2014.
They have toured with bands like The Black LipsandThe Gories but their sound has
evolved quite a lot over the past few years, taking them slowly out of the
garage circle...
The Rice Tape
is the band first release (2016): 5 tracks of really enjoyable garage
punk.
We are between the
Voodoo Rhythmcatalogue, some more "mainstream" garage influences like
the Black Lips and faster rock'n punk bands like
The Bottomfeeders.
Oh and these guys are of course big fans of The Stooges (who
isn't?) as Keshi Heads long break clearly states.
Except for the beginning of Boil D Rice that I really find non
necessary, it's a classic but nice first release for a band which has
still a lot to offer.
Ohmns releases its
first EP
in 2018 on
Sentinel Records(run by a guy from Clinic) and the atmosphere is quite different from the tape.
With 3 songs between 4:45 and 6 min, things are getting longer and the
brits are clouding the issue.
It starts quite punk, it goes through some rock and grunge breaks before
diving again in a garage punk pool. It took me a while to really dig it,
but these Nirvana influenced parts (Love Buzz!), these
obsessive rhythm and surprising explosions of energy finally seduced me.
I don't really know where we are with this EP, maybe around Seattle in
1988? Maybe on a sped up Nuggets compilations? But who cares? We're
Ohmns!
And here is
III,
the latest (and best in my opinion) release of the band.
Another change of style here, the sound is more direct, less low-fi or
grungy, it's fast, it's full of energy, it's punk and it's great! It
stops, it explodes, it comes back, Ohmns sure knows how to play
catchy songs!... and a lot of gang vocals this time!
Only two songs are available on bandcamp (4 on the tape) out of a 7 songs recording session which was supposed to give birth a new EP (short LP?) this year... I don't know what happened but it looks like it's postponed for now... I am really looking forward to listen to the lot though!